Song in the Sumatran HighlandsMain MenuGetting OrientedThis page provides an introduction to the projectSongsTitle pagePlacesTitle pagePeoplePerformancesTitle pageModulesThis section provides modules focused on specific topicsGlossaryList of terms used throughout the projectReferencesList of bibliographic and discographic resources referenced in this projectTechnical NotesPathway explaining some technical decisionsProject TeamList of contributors and their roles within the project.AcknowledgmentsPage with AcknowledgmentsLicense, Citation & UseHow to use and cite the material found in this site.
Resource: Fraser, 2011, "Pop Song as Custom"
12021-03-16T19:45:19+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c322Article, "Pop Song as Custom"plain2021-04-20T17:49:00+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3Fraser, Jennifer. 2011. “Pop Song as Custom: Weddings, Entrepreneurs, and Ethnicity in West Sumatra.” Ethnomusicology 55(2):200-228.
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12021-02-04T19:03:12+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3ReferencesJennifer Fraser2List of bibliographic and discographic resources referenced in this projectplain2021-07-01T00:59:14+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3
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12021-03-16T19:44:00+00:00Term: adat2Explanation of adatplain2021-03-16T19:45:26+00:00Adat (or adaik) is a complex set of cultural practices most frequently glossed as “custom” and “tradition.” In the Minangkabau system, there are four categories of adat, from those practices that are frozen and must never or can't be altered, like the laws of nature, to those that are the most malleable, like changing the kinds of music that are acceptable at weddings, which I wrote about in an article: Fraser 2011.